However, their protests and resistance were largely ignored by mainstream media, overshadowed by political interests in other countries. Over the past three years, girls have been forbidden from attending school, and women have been restricted from participating in outdoor activities, stripping them of their basic Human rights.
In her art, Razia uses fragments of familiar textiles, stitching them together to create a tangible connection with the women who remain isolated and distant. This act of stitching serves as a metaphor for the collective strength and resilience of Afghanistani women. Through her work, Razia conveys a sense of ambivalence, reflecting both a deep connection to her motherland and a poignant awareness of the struggles faced by its women. Her art becomes a narrative, capturing the essence of resistance, solidarity, and the unyielding spirit of Afghanistani women in the face of oppression and mirroring the artist's own experience of ambivalent belonging.