Round About or Inside

In the book ‘Species of Spaces’ (Espèces d’espaces, 1974) French novelist and philosopher Georges Perec elaborates on the predicament of understanding space. “The space of our lives is neither continuous, nor infinite, neither homogeneous, nor isotropic.” To get a better sense of space, Perec argues, the challenge is not so much “to reinvent space, … but to question it, or even simpler, to read it.” His subject is not the void exactly, but rather what might be round about or inside it: ‘When nothing arrests our gaze, it carries a very long way. But if it meets with nothing, it sees nothing, it sees only what it meets. Space is what arrests our gaze, what our sight stumbles over: the obstacle, bricks, an angle, a vanishing point. Space is when it makes an angle, when it stops, when we have to turn for it to start off again. There's nothing ectoplasmic about space; it has edges, it doesn't go off in all directions, it does all that needs to be done for railway lines to meet well short of infinity.’ ‘Round About or Inside’ aims to explore how artists from different geographic and cultural contexts might contribute to Perec’s attempt to map and describe the manifold spaces and sites that mark our lives. To what extent do art and artists partake in defining, shaping and ultimately understanding the spatialities of worldmaking?

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